Um momento grande, parado, sem nada dentro
A great, still moment, with nothing inside it. Through the "implicit parenthesis" of Clarice Lispector, one gets the impression of the non-existence of time before knowledge and rooted in immediacy.
Exploring the ideas of fragment and whole, the artwork springs from experimental and improvised means of construction, destruction, and reconstruction, canceling dichotomies in a continuous flow of making.
The process consists of collecting and recreating fragments and casts on different materials, arranging what happens in a movement of composition and decomposition.
The work real-izes when it reaches immobility when it is simultaneously a fragment and a whole: the representation of its coming into being and the thing itself.